Music : Electro / Techno : Lossless
Aphex Twin - Come To Daddy CD Mini-Album (FLAC-EAC-CUE) + DivX Video
Biography of Richard D James (aka Aphex Twin) from allmusic.com
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Biography by John Bush
Exploring the experimental possibilities inherent in acid and ambience, the two major influences on home-listening techno during the late '80s, Richard D. James' recordings as Aphex Twin brought him more critical praise than any other electronic artist during the 1990s. Though his first major single, "Didgeridoo," was a piece of acid thrash designed to tire dancers during his DJ sets, ambient stylists and critics later took him under their wing for Selected Ambient Works 85-92, a sublime touchstone in the field of ambient techno. James' reaction to the exposure portrayed an artist unwilling to become either pigeonholed or categorizable. His second Aphex Twin album, Selected Ambient Works, Vol. 2, was so minimal as to be barely conscious -- in what appeared to be an elaborate joke on the electronic community. Follow-ups showed James gradually returning to his hardcore and acid roots, even while his stated desire to crash the British Top Ten (and perform on Top of the Pops) resulted in a series of cartoonish pop songs whose twisted genius was near-masked by their many absurdities. His iconoclastic behavior surprisingly aligned with MTV audiences turned on to end-of-the-millennium nihilist pop along the lines of Marilyn Manson and Nine Inch Nails.
James began taking apart electronics gear as a teenager growing up in Cornwall, England. (If the title Selected Ambient Works 85-92 is to be believed, it contains recordings made at the age of 14.) Inspired by acid house in the late '80s, James began DJing raves around Cornwall. His first release was the Analogue Bubblebath EP, recorded with Tom Middleton and released on the Mighty Force label in September 1991. Middleton left later that year to form Global Communication, after which James recorded a second volume in the Analogue Bubblebath series. This EP (the first to include "Digeridoo"
got some airplay on the London pirate radio station Kiss FM, and prompted Belgium's R&S Records to sign him early the following year. A re-recording of "Digeridoo" made number 55 in the British charts just after its April 1992 release date, and James followed with the Xylem Tube EP in June. He also co-formed (with Grant Wilson-Claridge) his own Rephlex label around that time, releasing a series of singles as Caustic Window during 1992-1993. Available in cruelly limited editions, most of the recordings continued the cold acid precision of "Digeridoo" -- though several expressed humor and fragility barely dreamed of in the hardcore/rave scene to that point.
The climate for "intelligent" techno had begun to warm in the early '90s, though. The Orb had proved the commercial viability of ambient house with their chart-topping "Blue Room" single, and R&S scrambled to find useful material from its own artists. In November 1992, James acquiesced with Selected Ambient Works 85-92, consisting mostly of home material recorded during the past few years. Simply stated, it was a masterpiece of ambient techno, the genre's second work of brilliance after the Orb's Adventures Beyond the Ultraworld. As his star began to shine, several bands approached him to remix their work, and he complied, with mostly unrecognizable reworkings of tracks by St. Etienne, the Cure, Jesus Jones, Meat Beat Manifesto, and Curve.
Early in 1993, Richard James signed to Warp Records, the influential British label that virtually introduced the concept of futuristic "electronic listening music" with a series of albums (subtitled Artificial Intelligence) by ambient techno pioneers Black Dog, Autechre, B12, and FUSE (aka Richie Hawtin) among others. James' release in the series, titled Surfing on Sine Waves, was recorded as Polygon Window and released in January 1993. The album charted a course between the raw muscle of James' nose-bleed techno and the understated minimalism of Selected Ambient Works. A deal between Warp and TVT gave Surfing on Sine Waves an American release (James' first) by the summer. A second album was released that year, Analogue Bubblebath 3, for Rephlex. Recorded as AFX, the LP renounced any debt to ambient music and was the most bracing work yet in the Aphex Twin canon. On a tour of America with Orbital and Moby later that year, James clung to the headbanging material, to the detriment of his mostly unreplaceable gear. He later cut down on his live performance schedule.
In December of 1993, the new single "On" resulted in James' highest chart placing, a number 32 spot on the British charts. The two-part single included remixes by old pal Tom Middleton (as Reload) and future Rephlex star µ-Ziq. Despite James' appearance on the pop charts, his following album, Selected Ambient Works, Vol. 2, appeared to be a joke on the ambient techno community. So minimal as to be barely conscious, the quadruple album left most of the beats behind, with only tape loops of unsettling ambient noise remaining. The album mostly struck out with critics but hit number 11 on the British charts and earned James a major-label American contract with Sire soon afterward. During 1994, he worked on the ever-growing Rephlex stable, signing µ-Ziq (Michael Paradinas), Kosmik Kommando (Mike Dred), and Kinesthesia/Cylob (Chris Jeffs) to the label. In August 1994, he released the fourth Analogue Bubblebath, this one a five-track EP.
The year 1995 began with the January release of Classics, a compilation of his early R&S singles. Two months later, James released the single "Ventolin," a harsh, appropriately wheezing ode to the asthma drug on which he relied. I Care Because You Do followed in April, pairing his hardcore experimentalism with more symphonic ambient material, aligned with the work of many post-classical composers -- including Philip Glass, who arranged an orchestral version of the album's "Icct Hedral" on the August 1995 single Donkey Rhubarb.
Later that year, the Hangable Auto Bulb EP replaced Analogue Bubblebath 3 as Aphex Twin's most brutal, uncompromising release -- a fusion of experimental music and jungle being explored at the same time on releases by Plug and Squarepusher. In July 1996, Rephlex released the long-awaited collaboration between Richard James and Michael Paradinas (µ-Ziq). The album, Expert Knob Twiddlers (credited to Mike & Rich), watered down the experimentalism of Aphex Twin with µ-Ziq's easy-listening electro-funk. The fourth proper Aphex Twin album, November 1996's Richard D. James Album, continued his forays into acid-jungle and experimental music. Retaining the experimental edge, but with a stated wish to make the British pop charts, James' next two releases, 1997's Come to Daddy EP and 1999's Windowlicker EP, were acid storms of industrial drum'n'bass. The accompanying videos, both directed by Chris Cunningham, featured the bodies of small children and female models (respectively) dancing around, all with special-effects-created Aphex Twin faces grinning maniacally.
James released nothing during the year 2000, but did record the score to Flex, a Chris Cunningham short film exhibited as part of the Apocalypse exhibition at London's Royal Academy. With very little advance warning, another LP, Drukqs, finally arrived in late 2001. Although James continued making frequent DJ appearances, he released no more material until 2005, when Rephlex issued the first installment in a lengthy, 11-part series of 12" singles titled Analord. The singles' minimalist acid techno harked back to his Caustic Window/Analogue Bubblebath material of the early '90s. Chosen Lords, a CD compilation of some of the Analord material, appeared in April 2006.
A review of "Come To Daddy" from allmusic.com
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Song Review by Joe Silva
Having dabbled liberally in both the hard and ambient sides of his psyche under a variety of techno monikers, Richard D. James unhinged a bit more of his id for 1997's "Come to Daddy." The song, possibly done as a piss take on the oafish electronica of the Prodigy, leaps out aggressively at the listener with an ultra-distorted synth bass line and James menacingly muttering about wanting "your soul." The Twin was by now an acknowledged master of the skewed and hyperkinetic drum loop, and for "Come to Daddy" he notched the tempo somewhere up near the 200 bpm mark to add to the track's sense of frenzy. Both the vocal and his beat work are periodically stretched and warped through a myriad of digital delays to create the cacophony that James was striving for. Due to his intense secrecy regarding his modus operandi, it's hard to say whether or not James had begun to delve into the world of granular synthesis at this point in his work. But the unique sounds deployed for the track bear some of the markings of that almost academic form of tone generation. If the brutality in sound wasn't enough, the infamous video, directed by Chris Cunningham, depicted the grim landscape of an English tower block, where a helpless old woman is pursued by a band of children who have had James' leering visage grafted (via computer wizardry) over their own. The ante gets upped when the woman runs headlong into a spontaneously morphed demon that nearly strips her face away with the force of its howl. The video is so spiritually bound to the track that to know the song without its visual component is to only partially realize the surreally black comic vision that James' had arrived at by that time.
Screen shots from the "Come To Daddy" video (Directed by Chris Cunningham)
CD Pressing Information
Label: Warp Records
Catalog#: WAP 94 CDX
Format: CD, Mini-Album
Country: UK
Released: 16 Oct 1997
Genre: Electronic
Style: Breaks, Abstract, Experimental
Credits:
Artwork By [Design] - Designers Republic, The
Artwork By [Sleeve] - Chris Cunningham (2)
Photography - Stefan DeBatselier
Producer, Written-By - Richard D. James
Notes:
Compilation of WAP 094 CD & WAP 094 CDR.
Sampling Frequency: 44.1 KHz.
Notes on "Come To Daddy" DivX video
The DivX video included in this torrent was encoded from DVD vob files that were originally extracted from a DVD video source using DVD Shrink.
Also included in this torrent is the VLC video player program that will allow you to watch the DivX video.
Track List
Aphex Twin - Come To Daddy (1997)
01. Come To Daddy (Pappy Mix) 04:22
02. Flim 02:57
03. Come To Daddy (Little Lord Faulteroy Mix)03:50
04. Bucephalus Bouncing Ball 05:44
05. To Cure A Weakling Child,Contour Regard 05:10
06. Funny Little Man 03:58
07. Come To Daddy (Mummy Mix) 04:24
08. IZ-US 02:57
ENJOY ..........................................................................
